Embellishment. This Zentangle came from watching a video published by Sakura of America in which Molly begins with the tangle Zenith and then embelished it. The end result was this fabulous diagonal design that looked like the hem of a beautiful skirt! I pretty much followed the video exactly until the end of the tangling part. There, I added the Ruflz tangle to the upper, left side because I felt it needed something more.

Through the window. We peeked around the curtain to see how they lived. All we could see, though were some flowers in a vase and the corner of the over-stuffed chair. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Becki Fife Jalousie King‘s Crown Shing Opus

Speed. Every so often, I like to challenge myself when I tangle. For this tile, I challenged myself to speed up from my regular slow-and-deliberate style. This mostly worked well, except for coloring the Knightsbridge. That was just slow so I wouldn‘t go outside the lines. I also experimented with adding a bit of white highlights. I‘m not sure how I feel about them yet. Zentangle drawn on Strathmore Vellum Bristol using a black, Zig Millennium pen.

It‘s time for wind, and leaves, frost and flurries. But that depends on where you live. In the desert, cooler weather often brings new growth on plants and sometimes even fall blossoms, now that the sun isn‘t baking everything to a crisp. I used tangles that seemed to suit the time of year: Gust for the winds that change direction here in the fall, Bucky reminds me of frost on the windows, Static is the fall storms that bring us a bit of rain, Frondous for the plants that perk up in the cooler weather, and Fife and Well for their spikes and flower-like designs.