From the Zentangle Primer: Lesson 2, page 45, Exercise 4. For this exercise, we were to use all the same tangles: Shattuck, Jetties and Bales, but use different shading. I think Amanda (above) did a fantastic job with this tile! I love that she used several tanglations: Bales, Hollibaugh, Florz, and Jetties! My favorite is her version of Bales. It has so much depth to it now! My artwork is above.

From the Zentangle Primer: Exercise 2, page 33. For this tile, we were told to select two tangles and to alter or combine them to create a new tanglation. I chose to use Printemps and used it to create the strips for Hollibaugh. This ended up presenting a challenge, because it was difficult to distinguish edges where the strips crossed over each other. I ended up outlining each strip with a wider-nibbed pen to create stronger edges.

From the Zentangle Primer: Exercise 1, page 33. For this exercise, we each had to create a Zentangle using the same tangles as the first. However, we were to shade them differently. Amanda’s artwork is above. You can see how she shaded around the outside of the central bobble which makes it appear more like it is floating above the tile. She also altered Printemps from her original style.

From the Zentangle Primer: Exercise 1, page 33. For this exercise, we were to create another Zentangle, using the same four tangles as the first tile. However, this time, we were instructed to shade each tangle differently. In addition to changing the shading, I also changed the style of each of the tangles. I chose to wrap Florz around a bobble and give it more of a 3D, or dimensional feel.

The Zentangle Primer. Our group has changed books. We originally wanted to use the Zentangle Primer, but we had to wait because Amanda did not have a copy. So, while we were waiting for hers to arrive, we have been using the One Zentangle a Day book. Amanda received her Primer on Saturday, so we have both been reading/rereading the Primer. Today’s post is from the Primer, Lesson 1, Your First Tile.

Growth. At the center of it all, there has been a seed planted. And now the growth begins. The living towers still stood, although the lace dress and pearls were sold long ago. But the new growth was hope, renewed. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil. Tangles: Avreal Courant Florz Jay Six Muchin Pokeleaf Y-ful Power

Afterwards. The party is over. They have all gone home. I think I’ll clean up the mess in the morning. To me, this tile looks like party favors or decorations left on the floor when the celebration is long over. The Cruffles look a bit like carpeting and Florz actually looks like tile. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.

Leftie-Louie. This tile was done entirely with my non-dominant hand. That includes the shading and even the date and signature on the back. I was actually surprised at how well it turned out! Zentangle drawn on Official Zentangle tile using a black, Micron pen. Tangles: Crescent Moon Echoism Fescu Florz Nzeppel Pokeleaf Tipple

Old fashioned. This tile has several tangles that I haven‘t drawn in some time. And the style is more like what I did years ago than what has evolved since then. Every so often, I think it‘s a good idea to reflect on the past. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Echoism Emingle Finery Florz Inapod Quandry Sedgling Static Stiritup

It‘s complicated. When I‘m stressed, taking time to tangle becomes even more important. It allows me to decompress and step away from the chaos. However, my tile often reflects what‘s going on around me. This tile is a case in point. I‘m not feeling good, and there is a lot of “stuff” going on that has me not following my “normal” routine. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen.

Butterfly bones. Every time I look at this tile, I feel like it‘s a drawing of the remains of a butterfly or a moth. This tile includes one of my original tangles: Barbd. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Barbd Black Box Bridgen Carrés Caterpillar Cheesecloth Circfleur Five Oh Florz Keeko Locar

Symmetry. Not really, but this string gives you an illusion of symmetry because of the repetition of patterns on each side of the tile. Zentangle drawn on Official Zentangle tile using a black, Micron pen. Tangles: Centipede Florz Kule Meer Scallops Shard Tink

Rotation. It‘s interesting the way the design feels like everything is wrapped around the Bunzo as if it‘s surrounded by a mini cyclone of patterns. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Ambler Bunzo Ennies Florz Indy-Rella Jetties Knase Purk

Ca-Ray-Zee! Ok, this is old, and I don‘t remember what I was trying here, other than to try tangling on a colored background with a different colored pen. This tile has no shading, and frankly, I don‘t think adding it would help at all. It looks like the string had lots of curves, but who knows how it all began! Zentangle drawn on colored card stock using a sepia Micron pen.

Release. We cast the net into the sea, tying it down with ribbons to the world above. The new spores floated away to start their transformation. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Florz Quib Rixty