#3 - This is the third in my series of fountain pen, shimmer and sheen ink tests. I think I am in love with this Jacques Herbin ink, , Kyanite du Népal ! It is a beautiful, turquoise-blue with a sheen consiting of turquoise and silver metallic flecks. It’s an ink that will make any mermaid swoon! Although you can’t see it in the photo above, slightly rotating the tile under good light or outside in the sun causes the droplet ends of the opus to sparkle like a beautiful lagoon!
It an interesting thing about tangling. Sometimes, an idea doesn’t come out anything like you imagined it would. But it’s still interesting. Just different. This is the first time I’ve tried this paper. It is fairly stiff and thick, and the surface doesn’t absorb and spread the ink like I thought it would. It’s also a darker grey than I would have liked. But the darker color makes the pink ink pop!
She had traveled down the hall of the long good bye for such a long time. She slept and awoke and walked towards the door in the House of Waiting. The vastness pulled at her spirit and she longed to be free. She would not miss anything here. She had completed her mission. She would leave it all behind. It had been her life. But now, she was free to fly.
Emerald Isle. There is so much about Ireland that has influenced culture all over the world. Literature, music and dance come to mind. In the United States about 33 million Americans claim some Irish ancestry. These ancestors came to the U.S. as immigrants, and brought with them their heritage. In speech, dress, religion, foods and traditions they influenced the American way of life permanently. Just as any other cultural group that is different from the main, the suffered prejudice.
Fishing. We cast our net into the sea, searching for Ix to sell in the market. As we hauled the nets abord, we discovered a treasure trapped within. The Marasu was worth more than everything else in our nets, combined! This one, being so large, was probably worth even more than our ship! All of the fisher folk would share in this bounty when we reached the shore. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen.
Portals. The window was made of many openings. As she looked through each portal, she wondered why it was different from the others. What were those strange patterns. What kind of life forms were there. So many questions in need of answers. I love this form of Hollibaugh, using rounding to create graceful openings between the crossed bars. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Contrasts. This tile has a very simple string. I decided that I would use the simplest, geometric tangle in the upper left area and then mirror two of the other tangles in the lower right. I put the most complex tangle in the middle section. I really like the end result! Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil. Tangles: Ennies Finery Nekton Opus Patena
Template. If you look closely at the string I used for this tile, you‘ll see two vases. I traced around a vase-shaped template, reversing and overlapping it for the second shape. Zentangle drawn on Official Zentangle tile using a black, Micron pen. Tangles: Afterglow Flutter Juke Kandy Snakes Knase Knightsbridge Opus Pokeleaf Quipple Sproing Stiritup Umble
My tangle painter. I think this tile shows a peek at my tangle brush painting designs across the tile. Zentangle drawn on Official Zentangle tile using a black, Micron pen. Tangles: Bamboo Cheesecloth Ennies Opus Ramy Rain Stacks Shattuck Stonework
Echoes. Even though they aren‘t exact, I feel like the three center elements kind of echo each other. I like the effect they created all together. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Tangles: Fengle Nipa Kathy‘s Dilemma Opus Scena Snail Squill Vermal
Sizzle. It‘s hot here. The other day, the outside temperature on my car dashboard was 108˚. And it‘s not even summer yet! I think that‘s part of what influenced the coloring on this monotangle. Zentangle drawn on Strathmore Bristol Vellum using Copic Multiliners and Sharpie no-bleed art pens. Coloring done with Tim Holtz Distress Inks and Polychromos colored pencils. Highlights and other markings done with various gel pens. Tangles: Opus
Through the window. We peeked around the curtain to see how they lived. All we could see, though were some flowers in a vase and the corner of the over-stuffed chair. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Becki Fife Jalousie King‘s Crown Shing Opus