Another’s view. The tiles above and below were created by my husband. If you remember, from yesterday’s post, I mentioned that I had asked all of my relatives to draw Zentangles for my birthday in 2010. Recently, I found them again and got to reminisce about that time and to see all the wonderful tiles everyone made. For this first tile, my sweetheart used a heart as the central string!

Wrapped up. This Zentangle is the result of two different Facebook posts. In one group, someone asked about shading a Zentangle that was drawn in blue ink. That got me to thinking about how I would handle the situation. So, for this tile, I’ve used blue ink. For the shading I used both colored pencil and graphite. I think the combination of the two allows for more dramatic depth than using the blue pencil alone.

This is a small, white, real pumpkin that I tangled on during October 2010. It wasn’t easy to do because the squash was heavily coated in some kind of wax. I used Pigma Micron pens, but they tended to stay wet a long time. Also, the ink tended to bead up in spots so that when it dried, there were darker circles.

Hidden. She tried to hide from the outside by pulling the drapes, but the wouldn’t close completely. There were so many dangers she could not hide from around here. From the mystery under the pillow, to the strange marbles on the floor. She didn’t know how to escape the situation because she could not dream. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.

Under the suns. All three suns were out in the day. Somehow the river floated in the sky, crossing the mountains in the distance. It was as if it was a bridge across the earth, separating the sky from the fields below. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil. Tangles: 2-N-5 Flux Fracas Meer Pinwheels Scena Shing Spoken Well

Cornered. She opened the door. “It looks like there is some kind of strange plant growing out of the corner of a psychedelic room here. Perhaps that is a portal on the far wall? See how everything seems to be leaning toward it? We will have to explore. Everyone stay in comm range.” She stepped out onto the floor and instantly disappeared. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen.

Flutter. To me, the two sections with the Queen‘s Crown in them remind me of butterfly wings. I think of them every time I see it. Zentangle drawn on Official Zentangle tile using a black, Micron pen. Tangles: Bales Chard Echoism Jonqal Pinwheels Queen‘s Crown Vega

Echoes. I think the multiple echoes that tie up this tile are the tangle and the circular repetitions. The shapes of the Marasu and the Cogwheel echo each other. Putting the Fescu on either side of the center creates balance. Finally having the top and bottom Pinwheels echo provide a nice contrast to the more organic designs. Zentangle drawn on Official Zentangle tile using a black, Micron pen.

Joy. This Zentangle makes me happy every time I see it. I like the balance, and many of the tangles are on my list of favorites. Zentangle drawn on official Zentangle tile using a black Micron pen. Tangles: Beedz Bumper Cadent Emingle Fescu Flora Huggins Marasu Nzeppel Pinwheels Sh-Rock

Bridging the gap. Sometimes, having a design that goes from edge to edge helps the eye travel through the image. Here it works and although it is bold, it doesn‘t overwhelm the design. I messed up while drawing Pinwheels so I am calling this a variation of Pinwheels because it’s still interesting. Zentangle drawn on Strathmore Vellum Bristol using a black Micron pen. Tangles: Emingle Flukes Fracas Meer Pinwheels Warble Y-Knot