Velvet Elvis. This odd-shaped tile is totally experimental. A couple of months ago, my older daughter came for a visit. One of the things we did while she was here involved using Oxide Distress Ink on scraps of black card stock. Besides just having fun, we were trying to see if the inks would work on black, since they contain white pigment under the dye ink. I had a couple dozen scraps of 4” x 3” paper, and we inked most of them.

Interwoven. Everything in their lives was interwoven. No single thing could exist without the other. Each element fed the whole. Crazy Huggins is a wonderful example of single elements combining to make a complete design. In this version, I used a fair amount of shading to add additional dimension to each decorated section. I also used a heavier line weight around the outside to define each section and a finer width pen for the decorative elements.

For my final Crazy Huggins sampler, I cut a large, apprentice-sized tile from a new paper I got recently. I filled the tile with Crazy Huggins shapes, then filled each element with another tangle. Somewhere along the line, the design developed a mind of its own, and decided not to be symmetrical anymore. But, honestly, I think that just made it “interesting!” This tile took quite a while to complete.

The concept for this tile is from the Zentangle Project Pack 1 series. This time we’re drawing on an Apprentice tile. Since I don’t have any, I cut an appropriately sized tile from black paper. In this video, Molly takes us through the steps of creating a large version of Crazy Huggins and then filling each element with another tangle. The fills alternate between Crazy ‘Nzeppel and Shattuck, depending on the direction of the Huggins element.

Ships. As she looked back at the gate, she saw the others had followed her into this new dimension. She wasn’t sure if they were friends or enemies, but it didn’t matter at this point. They were all here, now, and there was no going back. I decided to try a couple more radial blossoms and continue the story from the first one, here. I also used reticula patterns in-between the arms of the lower, Ix blossom.

All wrapped around. I love Crazy Huggins. It can go every which way or be tamed with symmetry. Zentangle drawn on Strathmore Bristol Vellum using brown Pigma Micron pen. Coloring done with Tim Holtz Distress Inks and Polychromos colored pencils. Highlights and other markings done with various gel pens. Tangles: Crazy Huggins

Meandering. Several of the tangles in this tile decided to meander around and about on thier own, creating some interesting interactions! Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Berries & Leaves Bumper Crazy Huggins Jay Six Pais