As our raft came to an island in the sea, we looked up and saw how close the stars appeared, twinkling through the openings in the tops of the giant plants. Looking down, I saw the small eddies and swirls left in the sand by the waves and small creatures. I think I’ll explore this island further. Zentangle drawn on an Official Zentangle tile using a black, Pigma Micron pen.

We missed celebrating Father’s Day on the actual day because we were in Providence at the CZT30 Seminar. So we celebrated yesterday. One of the things we did was to go to the Musical Instrument Museum. It is one of our favorite places to go because you learn about geography, history, music, and art all rolled into one. While my husband was walking around looking at the instruments, I spent a lot of time taking pictures of things that resembled tangles.

Jumble. Others always wondered at how so much cargo could come out of such a tiny ship. They just didn’t understand. She’d captured so many universes in her travels. And now she could store infinite amounts in each one. All she had to do is make sure they traveled together! It has always fascinated me how shading opens up, raises, or pushes back sections of tangles on a tile.

For my final Crazy Huggins sampler, I cut a large, apprentice-sized tile from a new paper I got recently. I filled the tile with Crazy Huggins shapes, then filled each element with another tangle. Somewhere along the line, the design developed a mind of its own, and decided not to be symmetrical anymore. But, honestly, I think that just made it “interesting!” This tile took quite a while to complete.

Growth. At the center of it all, there has been a seed planted. And now the growth begins. The living towers still stood, although the lace dress and pearls were sold long ago. But the new growth was hope, renewed. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil. Tangles: Avreal Courant Florz Jay Six Muchin Pokeleaf Y-ful Power

Purked up. I had some problems with the Zentangle I posted last Friday. So, for the next week, I‘m dropping into tangling that is much more basic. I‘ll stick to white tiles, black in, and graphite pencil for the shading. So here, Purk was one of the random tangles that came out of the jar. I decided that I woud draw two of them in the center of the tile, and then fill in the rest of the string with random tangles.

Leaves. Take a close look at the string used for this Zentangle. Do you see it? I traced around a leaf template to create the basic string. The Ennies at the bottom left was added because I felt it needed something there, so it‘s in addition to the leaves. Zentangle drawn on olive card stock using a black, Micron pen. Tangles: Courant Crescent Moon Cubine Ennies Flux Holey Huggins Isochor Tipple

Movement. I love the way the string used in this tangle conveys movement while the Marasu anchors the viewer. It‘s as if the other patterns in the tile are flowing around the spiral design. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Botto Courant Marasu Mi2 Mixed Signals Munchin Socc Wildwood

Textiles. This tile makes me feel like I‘m peeking into my sewing room and seeing fabrics and trims ready and waiting on my cutting table. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Beeline Courant Flooka Flux Patena Ruflz Sez

Speed. Every so often, I like to challenge myself when I tangle. For this tile, I challenged myself to speed up from my regular slow-and-deliberate style. This mostly worked well, except for coloring the Knightsbridge. That was just slow so I wouldn‘t go outside the lines. I also experimented with adding a bit of white highlights. I‘m not sure how I feel about them yet. Zentangle drawn on Strathmore Vellum Bristol using a black, Zig Millennium pen.