Growth. At the center of it all, there has been a seed planted. And now the growth begins. The living towers still stood, although the lace dress and pearls were sold long ago. But the new growth was hope, renewed. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil. Tangles: Avreal Courant Florz Jay Six Muchin Pokeleaf Y-ful Power

Purked up. I had some problems with the Zentangle I posted last Friday. So, for the next week, I‘m dropping into tangling that is much more basic. I‘ll stick to white tiles, black in, and graphite pencil for the shading. So here, Purk was one of the random tangles that came out of the jar. I decided that I woud draw two of them in the center of the tile, and then fill in the rest of the string with random tangles.

Leaves. Take a close look at the string used for this Zentangle. Do you see it? I traced around a leaf template to create the basic string. The Ennies at the bottom left was added because I felt it needed something there, so it‘s in addition to the leaves. Zentangle drawn on olive card stock using a black, Micron pen. Tangles: Courant Crescent Moon Cubine Ennies Flux Holey Huggins Isochor Tipple

Movement. I love the way the string used in this tangle conveys movement while the Marasu anchors the viewer. It‘s as if the other patterns in the tile are flowing around the spiral design. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Botto Courant Marasu Mi2 Mixed Signals Munchin Socc Wildwood

Textiles. This tile makes me feel like I‘m peeking into my sewing room and seeing fabrics and trims ready and waiting on my cutting table. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Beeline Courant Flooka Flux Patena Ruflz Sez

Speed. Every so often, I like to challenge myself when I tangle. For this tile, I challenged myself to speed up from my regular slow-and-deliberate style. This mostly worked well, except for coloring the Knightsbridge. That was just slow so I wouldn‘t go outside the lines. I also experimented with adding a bit of white highlights. I‘m not sure how I feel about them yet. Zentangle drawn on Strathmore Vellum Bristol using a black, Zig Millennium pen.