If you follow me, then you know I’ve done this tangle, which can look like a sprig of Rosemary, or a pine bough, or a feather, many times before. I enjoy drawing it and it’s one of my favorites. ATC #7. Zentangle drawn on sahara, Fabriano Tiziano using a black and tan, Micron pen and gold gel pen. Shading done with graphite pencil. Tangles: Marasu Tipple Verdigogh
On Saturday, I participated in a Studio Tour for the Artist’s Group that I belong to. My studio was the second one in this particular tour. I created a Zentangle “make and take” project for the visitors to give those in the group who were not familiar with Zentangle to either sit down and do while here, or to take with them and do at home. I used the tangle Verdigogh because it looks a bit like a sprig of Rosemary, which is a symbol of remembrance.
I love tangling on tan! It opens the door to so many different and interesting possiblities. And I never know how it will actually turn out. This was inspired by another Zentangle that I did last year. But I wanted to change it up some, and recreate it on a triangular tile. Although it didn’t show up well on the scan, I used gold ink on top of the black band on the border to create a Marasu pattern.
Remembrance. As we walk on this path, I am reminded to spend time with others I’m walking here with. The time will go so fast and we will, literally, be scattered to all the corners of the earth. But we will remember each other, and this special time here. This beautiful, rosemary stem is drawn using the tangle Verdigogh. Rosemary is for rememberance. I wanted to add something to it, but I couldn’t decide what.
From the Zentangle Primer: Lesson 3, page 55, Exercise #8. For this string exercise we were to go “beyond the string,” and push past boundaries. I think Amanda did a fantastic job, compared to her original string, which you can see below! I love the way her Pokeleaf meandered around part of the string and then went up and joined into the Verdigogh at the upper right! Amanda’s talent and distinctive style is slowly emerging with each exercise that she does!
From the Zentangle Primer: Lesson 3, page 55, Exercise #8. For this string exercise we were to go “beyond the string,” and push past boundaries. I used the string as more of a comfort zone than as an actual string. I created the big Verdigogh “leaf” first, placing the central rib along a curved line that was part of my string. But I extended it past the outer bounding box.
Echoes. I think the multiple echoes that tie up this tile are the tangle and the circular repetitions. The shapes of the Marasu and the Cogwheel echo each other. Putting the Fescu on either side of the center creates balance. Finally having the top and bottom Pinwheels echo provide a nice contrast to the more organic designs. Zentangle drawn on Official Zentangle tile using a black, Micron pen. Tangles: Cogwheel Fescu Linked Marasu Msst Pinwheels Verdigogh Worms Chartz Static
Conservatory. For some reason, this tile reminds me of an old-fashioned, Victorian conservatory. I see the tile floor, the elaborate swirls of the wicker furniture and the plants. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Tangles: Betweed Bronx Cheer Bucky Floo Flutter Tile Strircles Stiritup Swarm Verdigogh
Hide-n-seek. So, I drew the Marbaix tangle from the random jar two days in a row! I also got another “new” tangle: B‘Dylan, which I like a lot. This time, I hid part of the Marbaix medallion under another section, and I think it works better here. It adds contrast, but doesn‘t entirely take over the tile. Zentangle drawn on official Zentangle tile using a black, Micron pen. Tangles: B‘Dylan Blankett Dex Juke Marbaix Poke-Root Verdigogh Waves
Under the tree. I couldn‘t resist creating a tile that looked like Christmas presents under the tree! Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Tangles: Black Box Checkers Purrlyz Repeat Pattern Stacks Sabi Verdigogh
Supermoon
Supermoon. Tonight‘s full moon will be the closest to earth since 1948. Take some time and go out an actually look at it in person. Think about how vast and amazing the universe is. I decided to draw this to experiment with some new tools for drawing on black backgrounds. I‘ve had this card stock for years. I bought a ream of it over 20 years ago, and at this point, I have no idea which company it came from.