Project Pack 7 - Day 1
I had a bunch of gray tiles in my stash, but I’ve never really done much with them. So I decided to order Project Pack 7 from Zentangle . This PP was introduced for the 2019 Christmas season and is one of the 12 Days of Zentangle series. The theme for this pack is “that like in life, Zentangle, too, is not just black and white … there are many shades of gray in between.”
Dingbatz.
Dingbatz are the Zentangle version of printer’s ornaments called dingbats! They are small, ornamental areas of tangling that can be done on a tile, applied to an envelope, card or stationary. They could be used as stickers, or even used in your day planner to highlight an event or important appointment.
I am currently working through the “ Zentangle Dingbatz ” book by Brian Crimmins, CZT.
I decided to try a few ideas on a regular-sized, square tile for my first attempt.
Complex. There are days when our lives are full of complication. This tile reminds me that there is a way of organizing and taking things one step at a time that restores calm and confidence.
There are a lot of tangles here, with many not seeming to go together at all. But the Zentangle Method does an amazing job of making it all work, ending up with a tile that makes artistic sense.
I mentioned previously that I had a very old Zentangle kit. I also have a newer one that has the lighter green color on the outside. I pulled it out because I wanted to see what was in it and I found a standard Zentangle tile that already had a string drawn on it! Actually there are a few with strings already drawn on them.
I chose this one to work on. The string was fairly complex, so I thought it might be fun. The string had several small loops around the outside edge, so I started drawing orbs and basically filled them in with Tipple.
Day four of going back to basics with my Zentangle practice. For this tile, I chose a string at random from the instruction booklet, and random tangles from the Legend card and the back of the booklet.
While I enjoyed creating the tile, and it worked great for the reasons I tangle, I am not as excited with the end results. I loved the Cogwheels and the Flux ribbon, but when I added the background, it did nothing to enhance them. It isn’t enough contrast, and distracts from the other tangles.
I am home!
I know that sounds a bit odd, but if you had my life since the beginning of the Covid pandemic, you would understand. The last original tile I posted was May 26, 2020. Certainly a long time ago!
Since then, I’ve moved 4 times. My stuff has been in and out of storage in three different cities, and I now have a teenager and a pet!
For the first project in the new Zentangle Project pack for grey tiles, we are creating a small, rearrangeable puzzle of four Bijou tiles, all with the same tangles.
These can be assembled into your own mosaic and arranged in different designs depending on how you place each little tile.
This is my first tile. I got carried away with the Diva Dance, on the second side, so I will be redoing this.
If you follow me, then you know I’ve done this tangle, which can look like a sprig of Rosemary, or a pine bough, or a feather, many times before. I enjoy drawing it and it’s one of my favorites.
ATC #7.
Zentangle drawn on sahara, Fabriano Tiziano using a black and tan, Micron pen and gold gel pen. Shading done with graphite pencil.
Tangles: Marasu Tipple Verdigogh
I had such a fun class on Saturday at the cARTel Studio, introducing these ladies to the wonderful world of Zentangle!
They all did such a great job on their first tiles, which you can see below.
This is the first of a series of three Zentangle classes on consecutive Saturdays.
Next week: working on black tiles!
I love tangling on tan! It opens the door to so many different and interesting possiblities. And I never know how it will actually turn out.
This was inspired by another Zentangle that I did last year. But I wanted to change it up some, and recreate it on a triangular tile.
Although it didn’t show up well on the scan, I used gold ink on top of the black band on the border to create a Marasu pattern. And I used a brown pen to draw the Tipple bubbles around the central Verdigogh fronds.
I’ve posted Zentangles with a design similar to this tile before, here and here .
In addition, the other two examples have no shading or highlights. So I needed and example that included these additions.
I’m doing it again because I’m using it on a class project and I wanted it on a 3Z for my students to observe and discuss.
Zentangle drawn on black, Strathmore, Artagain paper using a white, Sakura, gel pen. Shading done with Copic Markers and black colored pencil. Highlighting done with General’s Charcoal White.
How do you practice drawing orbs? By drawing orbs!
I actually found it very relaxing to draw lots and lots of circles. I tried various methods, both drawing all the way around in one fluid motion and drawing a “C” shape for one side and then the other.
I learned that some sizes I can do very nicely, and some are harder to do. It’s important to turn the tile so that you can see what your doing. It made a big difference!
Generally, now days, I use fewer tangles on a tile that I did when I began 10 years ago. But not always.
Yesterday, I decided to create a complex string and use a lot of different tangles. I had been looking through tiles from years ago and I wanted to see if I could still tangle in that style.
It took longer to choose the tangles than it did to draw them! 17 tangles is a LOT!
This tile was created following the instructions from Eni Oken ’s Art Club ’s latest lesson, Glazed Whitework .
It all started with a watercolor tile. It was an interesting challenge to draw the string and all of the tangles using a white colored pencil. Then more color was added creating the depth and shading you see here.
One of the most challenging things was to select appropriate tangles. It’s much more difficult to create detail with colored pencils than if you were using an inking pen.
My random tanglizer spit out a lot of tangles for practicing line work yesterday. At first, I was a bit worried that these wouldn’t produce enough contrast. But after using my magic wand (actually, a pencil), I like the way they became distinct and unique!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Fassett Flux Fracas Nzepple Sand Swirl Static Tipple Xircus
I had a private class with a very artistic, imaginative young lady on Saturday. She wanted to know what the Zentangle method was, so we sat together and I taught the Basic Beginner’s Class.
She was so much fun to work with because she is already a gifted artist and has an inherent understanding of things like drawing behind, line weight, shading, and auras!
As I was showing her the way we do things in Zentangle, she was showing me how she does similar things. I learned a lot from her, and about her, and I’m looking forward to working with her again in the future!
How do you challenge yourself? As an artist I’m always looking for different things to try as ways to grow and expand my skills.
Here, this tile was drawn entirely with my left hand. I even signed and dated the back with my left hand.
Why?
Well, first of all, I wanted to see if I could. In addition, drawing with your non-dominant hand builds new neural pathways in your brain. It also challenges you to look at things in a different way, and helps you to understand how your students, those that use a differnt hand to draw, are challenged to follow your instructions!
This is my finished tile from the Tuesday Beginner’s Class. I rarely finish my tile during the sessions because I’m busy helping the students. However, I do always finish them eventually. I don’t mind having many tiles with the same design.
I can always create my own, personal mosaic!
Zentangle drawn on a white, Official Zentangle tile using a black, Micron pen. Shading done with graphite pencil.
Tangles: Bales Florz Hollibaugh Tipple
Another Beginner’s class last Tuesday!
I love introducing the Zentangle Method to new students. Their excitement and enthusiasm is so contagious!
Tangles: Crescent Moon Florz Hollibaugh Tipple
Another tile from a Beginner’s Class this week. I may have enough of these to create my own Mosaic!
I never get tired of drawing these. Each time, while they always have the same plan, they come out somewhat different. It depends on the day, the artist, and what they feel like doing.
It’s one of the wonderful things about the Zentangle Method!
Zentangle drawn on an Official Zentangle Tile using a black, Micron pen. Shading done with graphite pencil.