Ruutz, a tangle created by Eni Oken, is a wonderful subject for tangle fractalization. I chose, in this example, to use a different color ink for each iteration. My hope was that the designs would appear to fade out going into the background.
If you want more information about this tangle technique, check out Eni Oken's Fractalized Tangles Lesson Bundle !
ATC number three… done!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen and a brown and grey Copic Multiliner.
Perhaps those pumpkins are taking on a life of their own; creating a ballet as they rise up. They leave the garden trellises behind as they creep around the Halloween garden!
Another ATC.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with Distress markers and colored pencil. Decorative elements added with various gel pens.
Tangles: Crazy Nzeppel Mooka
The Hunter’s Moon has passed. The pumpkins are ready for picking. Soon, there will be the smell of freshly baked pies in the air!
This ATC was created with these in mind!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil. Highlights created with colored pencil.
Tangles: Gourdgeous Icanthis
Pink and grey is one of my favorite color combinations. So I thought I would give it a try on one of the new, grey tiles from Zentangle.
Here is a quick study on a Bijou tile, using Molygon, wrapped around a central orb and filled with Marasu.
I think it’s interesting enough that I may repeat something similar on a standard-sized tile.
Zentangle drawn on an Official, grey, Zentangle Bijou tile using a pink, grey and dark grey, Uniball Signo pens.
On Saturday, I participated in a Studio Tour for the Artist’s Group that I belong to. My studio was the second one in this particular tour.
I created a Zentangle “make and take” project for the visitors to give those in the group who were not familiar with Zentangle to either sit down and do while here, or to take with them and do at home.
I used the tangle Verdigogh because it looks a bit like a sprig of Rosemary, which is a symbol of remembrance.
This is my first Zentangle created on a new grey Zentangle tile. This new color was just released by the company this week.
The color is a soft, light grey, that looks good with the entire range of Zentangle tools. I love having a grey tile because it allows me to add both shading and highlights for a full range of values.
Right now, you can get the tiles in various sizes from your local CZT.
Most of the time, now days, I draw the “crazy” version of Nzeppel, rather than the “grid” version. So I thought I would do this for a change of pace.
I decided to add an internal aura to each bubble, just to provide some interest. That lead me to making the colored border.
Zentangle drawn on an Original, Zentangle Bijou tile using a black and a brown, Micron pen. Shading done with colored pencil.
I liked yesterday's grid tangle tile so much, I decided to do it again!
I love the way Dex creates the illusion of depth in the paper. It’s as if you could enter one of the fragments and set up a room to sit and relax in.
Zentangle drawn on an Official, Zentangle Bijou tile using a black, Micron pen. Shading done with graphite pencil.
Tangles: Dex
It’s interesting how, as your Zentangle practice evolves, you sometimes veer away from grid-based tangles, preferring flowing, organic, individual elements.
Every so often, I feel an urge to return to those structured reticula, filled with repeated fragments. There’s something soothing about drawing them that fills you with peace and zen-flow.
For this small, Bijou tile, I chose Yincut. It is actually one of my favorites because of the overall look of the finished piece.
My second Aura Timeline tile!
You can read more about this project here. Zentangle drawn on Stonehenge White using a black, Micron pen.
How do you Aura?
Here you can see my first exploration of this basic, Zentangle technique.
Auras are a mainstay of tangling. We generally think of them as drawing a parallel line, a little bit away from a previous line or shape.
But did you know that they could be so much more? That they could actually be part of your overall design?
Follow along with Eni Oken’s Aura Timeline Lesson , and learn how to take auras from boring to beautiful!
Back to classic style! Random string with random tangles!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Claws Crazy Nzeppel Flux Nexton Pods Pokeleaf Poke Root Sez Shard
It’s interesting, when you create a monotangle, what meta patterns appear over the tile.
Here, because the basic tangle was executed across a triangular grid, circular, flower-like designs end up in the corners and sunken, shield-type shapes are offset across the tile!
I chose to add the lines to give the impression of screws in each small circle because I thought it would be more interesting and help break up the design a bit.
It an interesting thing about tangling. Sometimes, an idea doesn’t come out anything like you imagined it would. But it’s still interesting. Just different.
This is the first time I’ve tried this paper. It is fairly stiff and thick, and the surface doesn’t absorb and spread the ink like I thought it would.
It’s also a darker grey than I would have liked. But the darker color makes the pink ink pop!
It was graduation day for my Saturday morning tribe! They created tiles using Renaissance techniques.
I’m so honored that this group allowed me to start them off on their Zentangle adventures. I’m sure I’ll be seeing lots from them in the future!
Zentangle drawn on Official tan 3Z tiles using a black and brown, Micron pens. Shading done with graphite pencil. Highlights created with white chalk pencil.
Tangles: Festune Ravel Striping
It’s been a while since I’ve done a meditative Zentangle. I took the time for this one because I was having one of “those days”. The Zentangle method is a great technique for setting aside all of the outside world noise and just relaxing and drawing for a bit.
Give it a try!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
A little over a year ago, I posted a tan, 3Z tile with this design . I was looking at it yesterday, and wondered what would happened if I used the same tangles and string, but in a different color?
Here, I’ve tried it in the colors of the Delft Delights tiles. It’s interesting how there are differences and similarities to the previous version!
Zentangle drawn on Strathmore Vellum Bristol 3Z-size tile, using several different blue, Micron pens.
I am not sure what I think about this. It didn’t come out like the picture I had in my mind when I started. On the other hand, I kind of like it. I may try this again, but slightly differently, or with a different tangle.
Zentangle drawn on an Official Zentangle Renaisannce tile using black, sepia and brown Micron pens and a white Gelly Roll pen. Shading done with graphite and colored pencils.
Sometimes, we look at a tangle and think “that’s too simple” or “what a boring tangle”. But you shouldn’t take a tangle for granted, just because of it’s simplicity!
Munchin is one of those tangles. I specifically chose it for this monotangle to highlight it’s amazing depth and beauty when done large. Just a little subtle shading and highlighting make it pop right off the tile.
Your challenge, today, is to use Munchin with other tangles on your tile in a way that highlights this simple tangle!
The tangle Waybop lends itself well to the the triangular shape of this tile. It can be tucked into the points quite nicely while still maintaining it’s nature.
Here, pink, grey and white are combined in gel pen to accent the main tangle and then in colored pencil and pale grey Stablo fineliner to create the decorative elements.
Even the pencil shading, added inside the circles and inward pointing elements adds yet another shade of grey.