I accidentally left 3 tiles behind at the CZT Seminar. While I’m sad about that… I decided to recreate them! This one is done on a Zendala tile, but it’s not perfectly symmetrical. Working in the round isn’t something that I do very often. But I was very surprised at how relaxing this was. I think not having to make everything match from side to side takes the stress out of this type of design.
River of berries.
Adding a bit of graphite, using a simple pencil and a tortillon, transforms tangles on a tile into a small piece of art and fills it with life. Don’t fear the pencil!
Zentangle drawn on an Official Zentangle tile using a black, Micron pen. Shading done with graphite pencil.
Tangles: Fife Flukes Poke Root
This beautiful Spundala was created by CZT Amanda Higbee! I am blown away that she used Pea-nuckle in the round. I don’t think that I’ve ever seen anyone do that before! It certainly never occurred to me to try it!
Zentangle drawn on Strathmore Vellum Bristol using a purple and pink, Sakura Pigma Micron pens. Shading done with watercolor pencils.
Tangles: Crescent Moon Emingle Keeko Pea-Nuckle
Difference.
These two little Bijou tiles both have the same tangle, Munchin. The first tile, in the upper left, was done by scattering dots on the tile and then drawing the tangle in the traditional way. I added shading at the convergence of the lines for each small triangle.
For the second tile, I started in the center of the tile with one triangle. Then, I added each new triangle, growing off of the existing ones. The shading in each triangle was added at the far edge, where all the lines ended and are spread out.
Tiny bubbles (tiny bubbles) In the wine (in the wine) Make me happy (make me happy) Make me feel fine (make me feel fine)
Leon Pober Sorry, I just couldn’t resist!
Zentangle drawn on an Official Zentangle Tile using a black, Micron pen. Shading done with graphite pencil. Highlights created with white colored pencil and white acrylic paint pen.
We have learned to appreciate and focus on each thing, one stroke at a time.
I love this frame made from an Apprentice tile. I also really love the bijouism that was added to it by our guides! You can get your own collection of 24 bijouisms by following the link. The little tin actually contains two of each… one for you to keep and one to give away!
Zentangle drawn on a black Original Zentangle Apprentice tile using a white Sakura Gelly Roll.
What are these creatures we found hiding under the leaves? Each one is different, bearing fragmented patterns creating their own interpretation? It is our third day along this path. We’ve grown bolder, looking here and there and finding new things or changing the old.
Zentangle drawn on an Official Zentangle tile using a black, Micron pen. Shading done with graphite pencil.
Tangles: Articulated Molygon
Remembrance.
As we walk on this path, I am reminded to spend time with others I’m walking here with. The time will go so fast and we will, literally, be scattered to all the corners of the earth. But we will remember each other, and this special time here.
This beautiful, rosemary stem is drawn using the tangle Verdigogh. Rosemary is for rememberance. I wanted to add something to it, but I couldn’t decide what. Then I realized the Renaissance frame would be perfect. So this frame was drawn on July 3, 2018 and I set the tile from the CZT 30 Seminar in the center of it. I wanted to honor, treasure and remember my time there.
As our raft came to an island in the sea, we looked up and saw how close the stars appeared, twinkling through the openings in the tops of the giant plants. Looking down, I saw the small eddies and swirls left in the sand by the waves and small creatures. I think I’ll explore this island further.
Zentangle drawn on an Official Zentangle tile using a black, Pigma Micron pen. Shading done with graphite pencil. Highlights done with white colored pencil.
We’ve traded yesterday's spacial vortex for an ocean raft which we’re riding across the waves. So many ways to travel on this journey! I wonder what we will discover on the other side?
Zentangle drawn on an Official Zentangle Tile using a black, Micron pen. Shading done with graphite pencil.
Tangles: Cadent Knight's Bridge Shattuck
I think we’ve found a special dimension that warps time and space. As we go along for the ride, the plants along the side of the path start poking through here and there to remind us of where we’re going.
Zentangle drawn on an Official Zentangle tile using a black, Micron pen. Shading done with graphite pencil. Highlights done with white colored pencil.
Tangles: Flux Striping
The second day on our path we’re walking fast… faster than I am used to. I feel like I’m running to keep up with everyone else. Kind of out of breath and unable to slip into a rhythm.
This is our second tile. I’m so excited to see the mosaic we create together!
Zentangle drawn on an Official Zentangle tile using a black, Micron PN pen. Shading done with graphite pencil.
We all came to this particular path from different directions: locations, desires, experiences, expectations, dreams…
Now, we will travel together for a while. Each doing the same thing, but each doing it their own way.
This is our first step on this journey.
My first tile from the CZT30 seminar!
Zentangle drawn on an Official Zentangle tile using a black, Micron pen. Shading done with graphite pencil.
Tangles: Crescent Moon Florz Hollibaugh Printemps
This little Bijou tile is going into my tangle index book. It shows a hybrid between Well and Florz. I like the way, when it is shaded, it looks like it is woven!
Zentangle drawn on an Official Zentangle Bijou tile using a black, Micron pen. Shading done with graphite pencil.
Tangles: florz well fwell
One of the things I love about tan tiles is the ability to add both shades of grey and white highlights. In addition, these tiles are perfect for both brown, black and even white ink, creating lots of variety. All of these factors, added together take simple tangles to a much more sophisticated level!
Zentangle drawn on a tan Official Zentangle 3Z tile using black and brown, Pigma Micron pens. Shading done with graphite pencil. Highlights done with white charcoal pencil.
This tile has been sitting in my drawer, partially done, for months. I found it when I was looking for unfinished tiles.
For some reason, when I first added the Squirmy tangle to a few sections, I really didn’t like it, and felt like I had ruined it.
When I pulled it out yesterday, I thought, “Why didn’t I finish this? It’s not bad!” So I added more Squirmy and finished filling in all the sections with Hypnotic. I used both Copic markers and graphite for the shading. And added a bit of white pencil highlights.
Sketchbooks.
Do you use a sketchbook? If you do, is it big? A favorite size is 9" x 12". They are great, if you generally draw in a larger format.
But I think a smaller size works much better if you regularly tangle on standard-sized tiles. The reason why is because you can turn the sketchbook easily, just like you turn your tile as you draw. I also like the smaller size because it fits in a pocket or my purse, so I always have one with me!
When you use a grid-type tangle, you don’t have to do it in a perfect grid shape! Here, I wanted to see what it would look like to use Bales, but make a fairly wonky grid, possibly with some perspective to it. So I made part of the lines curved, and varied the distance between the lines, just to see what it would look like.
This type of exercise is good to do every so often. It gives you a lot of good meditation because you don’t have to think that much about the tangle itself… it’s the same throughout the tile. It also illustrates what happens with variations of size and angle of a basic grid tangle. And the end result is an interesting tile!