This is the reverse side of the card I showed you yesterday .
When I flipped the card over, there was this shape that was part of a speech bubble in the advertisement that was originally on the paper. When I flipped the card upside down, the shape reminded me of a bird, so I went for it.
This began with painting the lighter blue, and violet color on the card, avoiding the bird shape.
This is a simple color test for a color challenge for this month.
The colors are Light Blue Permanent, Deep Violet and Prussian Blue.
This is a small (2-5/8" x 4") card cut from a junk mail advertisement. I hate to throw perfectly good paper and cardstock away, so I often cut the cardstock into this size/shape pieces. Then I use the small cards for various small art. In this case, the card was mostly white with a small amount of printing.
I’m creating a section in my art journal for things that I call “underpinnings”. These are basically ways to break the blank page syndrome that befalls all artists from time to time. It’s also a good way to pull out your supplies and try new things, because you can always cover it up and move on if you really don’t like it.
So this is my first one. It was done using Caran d’Ache Neocolor II crayons on “raw”, not gessoed paper.
Here’s another color wheel added to my Art Journal. (You can see the previous one here. )
For the previous wheel I used opaque colors. This one was created using colors that are more transparent: Quinacridone Magenta, Pthalocyanine Blue (Green Shade) and Indian Yellow.
The center ring is the pure paints mixed with each other. The outer ring is these mixtures with Titanium White and the inner ring is these colors mixed with Ivory Black.
Yesterday, you saw my micro art journaling layout for a Facebook Color Challenge.
Today, here’s my full-sized page for the same challenge.
I began by using a palette knife to apply the three colors to my page. I didn’t have any particular style in mind, I just wanted to see what they looked like.
Then I used a couple of stencils to add more color to the page.
While that was drying, I started looking through a magazine that was in my office, because I was going to put it away, and I came across this image.
It’s been quite a while since I’ve posted a layout from my tiny art journal. These books are 2-7/8 inches high by 2 inches wide when closed.
Today’s layout was inspired by a color challenge from another group. The colors were Quinacridone Magenta, Naples Yellow and Mars Black. I was working on a full-sized layout and had some leftover paint, so I spread it on the background on this tiny page.
This final layout in the Collaborative Artists’ Journal features Judy’s response to the “Self Portrait” prompt on the left and an abstract collage on the right.
The background of the left page is more faux journaling, and stamping with a handwriting stamp.
Judy created a pocket, to hold a folder from beautiful, torn, aqua, hand-made paper. She’s accented it with two rows of emerald jewels.
The pocket contains a folder made from black paper and painted with aqua and white inks.
This spread was created to accomodate the back side of Judy’s response to the “Self Portrait” prompt. When she turned hers in, the back side had these beautiful, faux journaling markings on it. I didn’t want to completely cover them up because they were so wonderful.
Instead, I chose to create a contrast to the monochromatic paper by using this bright, turquoise blue paper on the left side, which has a rich texture on it’s own.
This wonderful layout is Madeline’s response to the “Self Portrait” prompt.
Madeline works in an intense collage style which yields lots of rich texture and interest. There are many 3D elements here, including ribbons and charms.
She has used papers, images from magazines, words from books and stamps, tape and paint to create this homage to the self!
Left: Madeline Hill Kasian Right: Madeline Hill Kasian
The final prompt in our collaborative book is “Self-Portrait”. I think that this is, hands down, the hardest prompt for most artists. We would much rather paint a beautiful, abstract scene than create something that is pointedly about ourselves.
So I chose to represent myself as my personal icon. Although I did make grey hair, with a bit of pink, rather than all pink.
I am surrounded by all the things from the sea that I love.
I wish you could see Judy’s wonderful pages in person. There is so much rich texture that I think is hard for the viewer to appreciate through a photograph.
I chose to include these at this point in the book as a transition to the “Self-Portrait” pages. The beautiful walnut brown in combination with the teal feels calm, almost a bit antique. The feeling is reinforced by the bits of lace and ribbon along with the musical papers.
This is my shrine to my secret garden. I actually love gardens and gardening. However, where I live, they aren’t really practical. So instead, I draw and paint them in abstract.
I often imagin them with various benches and sculptures tucked in here and there. So for this one, there is a cement head sculpture overlooking the plantings. Perhaps it is some sort of guardian!
Aside from the butterflies, this was painted with Caran d’Ache, Inktense and Albrecht Dürer Watercolor pencils.
This layout serves as the introduction to the “Shrine” prompt. I think we all found this one difficult to work with because it could be interpreted so many different ways.
I chose to make two layouts, both somewhat related, for this prompt.
This is the first one, which in addition to being the introduction, is also a shrine to the past. It is about my childhood and events and people I remember fondly.
Flipping over Judy’s smaller page to the left creates a new layout.
While the first one, yesterday, appeared more green and pink, this one appears to be more turquoise and purple. The gold leaf, with it’s varied tones just adds a wonderful, rich effect to the overall design.
I chose the paper on the right-hand side to contrast with Judy’s page when it was turned this way, and to compliment it in the previous position.
As I mentioned previously, Judy didn’t give any particular direction as to which, if any, prompts she followed for her pages. So I chose two of her submission that, to me, seemed to fall into the Princess category because of their beautiful colors and gold leafing and the feelings they evoked in the viewer.
I mounted her pages back to back, with metallic foiled paper underneath the square cut edges.
Madeline’s interpretation of the Princess prompt has a bit more of a regal tone because she’s created the Queen of Her Kitchen!
This is a fabulous layout with lots of interactive pieces including tags and things tucked into pockets!
I love the dimensional quality her pages have, inviting you to reach out and touch them!
p.s. The S&H green stamps brought back great memories. Many a kitchen royal collected them when grocery shopping and redeemed them for everything from new pots and pans to tableware!
This is my interpretation of the Princess prompt, The Princess of Baths. One of my favorite things in the whole world is being able to soak a relaxing bath. I think it is a fabulous way to pamper oneself and a great addition to a self-care routine.
I knew, right away what I wanted it to look like: pink, girly, bubbly and both the duck and the princess would need to have crowns!
This layout is the transition to the Princess prompt. My thinking was, when I chose this as a possible theme, that even though we’re not “Rich and Famous”, each of us is deserving of being treated like royalty. I was also thinking that for each person, there is some aspect of our personality is regal or some way in which we treat ourselves as royalty.
On the left side, in the pocket, the sheet of paper has the words to “We’ll Never Be Royals” by Lorde.
The left side was contributed by Judy Wood. Here her black and white, graphic pseudo journaling stands in strong contrast with the bright colors she chose for her center piece. The black motif in that piece ties both together.
I made the simplest possible addition here… I chose the paper for the right side. I liked the ink wash over old book pages in combination and contrast to the bright colors of Judy’s work.
The page on the left was created by me.
I chose this paper because it seemed to almost continue the theme from the previous layout. I also liked it in contrast to Judy’s beautiful black and white design.
The words are really simple, with “found poetry” created from pre-printed phrases from a Tim Holtz sticker book.
VANISHING VISITORS
chronicled from time to time
sometime in the middle of the night THE STARS ARE ALWAYS SHINING.